![]() Think of set pieces from Quantum of Solace. Action scenes are consisted of 3-4 very well framed shots, 5 bad insert shots, and 4 shots that aren't well framed that aren't inserts with a pace that is impossible to follow. Violent scenes that have a lot of CGI don't really land.Īction editing is inexcusable. The theme of the movie is that people who have more power than others are violent monsters so I think conveying queasiness of violence is important but CGI should have been more polished to make that work. You can see the writer desperately trying to make the dialogue sound interesting but it ends of being irritating. I don't understand why you would try to make the protagonist 'likable' with cutesy bullshit when the protagonist behaves like Michael Myers or Jason Vorhees with superpower for the rest of the movie. It was so predictable and didn't fit with the film language and the tone. I despised cutesy humor that belong in movies like Edward Scissorhands. Comedic scenes and exposition scenes try to communicate the characters but it's done in such a clunky way and they tend to be too long. It has the worst tendencies of Marvel movies yet it's so lore brained that the structure is a mess. It's bold enough to suggest that superpower is a product of nazi science and US could acquire the technology through Operation Paperclip. It was interesting to talk about because it was pretty weird and misanthropic. It was mostly ok until the movie tries to convince you that the protagonist isn't a monster anymore because she doesn't kill anything that walks anymore with a boring exposition. The first one was an awkward start of the franchise. (I was pretty disappointed with the industry when I heard Park had a hard time getting the first one funded because it had a girl as the protagonist.) However, the movie is still disappointing. I admire his passion for telling this slightly unconventional, dark, edgy, and violent superhero story with female protagonists. Korea which produced the first one shutting down. As a result, the audience share by nationality rose to 50.2% of Korean films from January 1 to June 19.I really respect Park Hoon-Jung making this movie despite many hardships such as having to quickly rewrite the script and having less budget than he was going to for the sequel because of pandemic and Warner Bros. Compared to the 30% market share of Korean films in the first half of this year, the figure has risen sharply. The Other One, and Broker, the market share of Korean films soared to 84.8% from June 13 to June 19 last week. Thanks to the success of The Roundup, The Witch: Part2. 4th place is Broker, the winner of the Best Actor at Cannes, with 158,449 audiences over the weekend and 1,107,485 in toral, becoming the first Korean movie to surpass 1 million viewers among director Kore-eda Hirokazu’s films. Lightyear is a spin-off film about the birth story of Buzz Lightyear, the main character of Pixar ’ s flagship box office animation ‘ Toy Story’ series. As of June 19, the 33rd day of its release, the total number of audiences for The Roundup recorded 11,460,310, rising to 20th place in the Korean box office history.ģrd place is Pixar ’ s animation Lightyear, which was released on June 15, with 158,740 audiences. However, it is still a box office hit with 550,993 viewers and 26.7% sales share over the weekend. The Other One, which attracted 1,458,121 moviegoers in total by the end of the week, ranked second at the box office among Korean films released this year in five days.Īfter 4 weeks at the top of the box office, The Roundup dropped to 2nd place in the box office over the weekend. The Other One is also the second episode of The Witch Trilogy planned by Park Hoonjung. The Subversion, which was released in 2018 and attracted 3.18 million viewers. This movie is a sequel to Director Park Hoonjung ’ s SF action film The Witch: Part 1. The Other One depicts a war of forces surrounding a girl(Cynthia) with special abilities and chasing her for their own purposes. Its weekend sales accounted for 8.2 million USD with sales of 48.4%. The Other One topped the box office during its opening week, recording 1,009,309 audiences from June 17 to 19. ![]() According to the Korean Box Office Information System (KOBIS) of the Korean Film Council (KOFIC) on June 20 (Monday), The Witch: Part2. The Other One, released on June 15, received the box office baton of the ‘10 million viewer movie’ from The Roundup. K-movie Market Share, Rose to 85% Sharply
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |